Tammy Walters is a professional artist based in Lancashire, in the North West of England. Having enjoyed the last 10 years working in places like Azerbaijan and Dubai which opened the door for the international community to purchase her work, where they now proudly hang in many countries around the world, she is now enjoying the Lancashire life in all its splendour.
Her passion for Horses has led her to becoming the Resident Artist at Aintree International Equestrian Centre, which is the perfect place for her to study the equine form.
Her equestrian paintings capture the emotional connection that she feels around these beautiful animals, and having the best of British Racing and British Showjumping, and British Dressage on her doorstep she has plenty of subject material.
Tammy wants her work to reach out and make you feel something, no matter how little or how much you know about art. From deep within she creates an explosion of feelings that hopefully comes out in her paintings.
With an extensive range of styles she loves to change mediums to keep her mind fresh and alive.
She has applied this contemporary style across different genre of works and has had an Exhibition in August 2018 called “Sole Exhibition” in Staacks Gallery in West Kirby, which was well received.
Please come take a look at the paintings which are a bold expression of all things wonderful that inspire her to leave a mark on paper and canvas.
Mediums & Why I love them
CHARCOAL & PASTEL the powdery strokes on blank paper create mood and movement and in my mind will forever be classically stylish.
WATERCOLOURS that bleed and become a delicate wash into colours that flow and create soft and hard edges, it runs away with itself creating something different and beautiful with every stroke or drop or spray.
OILS & ACRYLICS are explosive and rough but the end product is elegantly flowing and emotionally charged.
POINTILLISM is another love, these delicate drawings are done with permanent ink pens, using various size tips to create small pin point dots which are used to lumini the darks and lights in the shadows and which take hours and hours of meticulous almost painful repetition of the hand to dot my way to completion.